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5 Memorable Uses of Music in Stanley Kubrick Movies

Stanley Kubrick was a master of many things when making movies — direction, cinematography, set direction — but one of the top choices he consistently made was musical. From Dr. Strangelove right down to Eyes Wide Shut, Kubrick made musical choices that were insanely memorable. Here are perhaps the five most memorable:

1: We’ll Meet Again, Dr. Strangelove (1964)

The image of countless bombs exploding as this calming music plays is a simply magic use of contrast. If the world were to end as abruptly and annoyingly as it does in Strangelove, this music playing would make it a damn sight more comfortable – and funnier!

2: The Blue Danube Waltz, 2001: A Space Odyssey (1967)

The beautiful outer space has never looked so stunning as when Kubrick portrayed it alongside the amazing music of Strauss. Classical music made a memorable debut for SK as he mixed memorable imagery with insanely calming tunes.

3: The Thieving Magpie, A Clockwork Orange (1971)

That fantastic scene as Alex and his droogs walk down the riveria, frozen in thought, as this classical piece plays and violence breaks out will be forever ingrained in my mind. A scene which uses violence in a manner which makes Tarantino look like butter.

4: Sarabande, Barry Lyndon (1975)

Kubrick’s three hour biopic based on the novel is one of his best, most ingenious films, a sadly underrated film that glows with excellence every time you watch it. And this haunting theme… I never get tired of it.

5: Waltz No. 2 from Jazz Suite No. 2, Eyes Wide Shut (1999)

It’s a little bit inventive, a little bit haunting and a little bit cheeky. One of my favourite classical waltzes (beaten only by #2 on this list), and one which always brings to mind the shocking opening shot of Kubrick’s final film.

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Any music from Kubrick I missed? What music (from any director or movie) do you think was particularly memorable or well-chosen? Leave a comment below.

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