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Let’s Get Translatin’ 2: More Movie Quotes Ruined by Google Translate!

Ten Great Movies That Aren’t Afraid To Push the Boundaries!

20 Great Scenes from 20 Great Movies

One might be surprised to discover that my two favourite scenes of all time from movies are both from films directed by Paul Thomas Anderson. About two months ago, I revealed my favourite scene of all time and promised to try and work on a list of great scenes. Well now I’ve finished compiling the list, and here it is, unleashed. They’re in no particular order, as it would be too hard to rank them, but I’ll start off with my second favourite scene of all time.

1: The Drug Deal Scene, Boogie Nights (1997)

Everything in this scene is pitch perfect. The tension works brilliantly, with the firecrackers and nervous tics. And the soundtrack… unbelieveable. You’ve got to hand it to P.T.A., he can pick the right music for any movie and it suits perfectly. There’s also a 45-second closeup of Mark Wahlberg (6:30-7:15) that is perhaps my favourite shot in the movie. Not because I like Mark Wahlberg, but just because it’s a perfect little piece of Anderson, and it reveals so much about Dirk Diggler without saying a word. Fantastic.

2: The Goy’s Teeth, A Serious Man (2009)

A perfect example of what makes the Coen brothers so unique. They can have a long, rambling, incredibly interesting monologue with virtually no meaning and it makes sense. The scene is both fun to watch and full of anticipation. Sure, it might be a let down to discover there’s no point in the whole thing, but it’s part of life. A lot of what we go through is long, tedious and has no real affect or reason, and yet, we live through it. The truth is, some questions weren’t made to be answered, and this scene sums it up perfectly.

3: The Street Shootout, Heat (1995)

Michael Mann’s visually daring 1995 heist movie features one of my personal favourite sequences of extended violence and warfare. Imagine a gritty shootout between many men, placed in the middle of a bustling street. Might not sound like the most original idea now, but back in 1995, it sizzled.

4: The Briefcase, The Killing (1956)

Though I sadly cannot find a video for this fantastic final scene to Stanley Kubrick’s heist movie, I can assure you it is brilliant. When two thieves are getting on to a plane escaping with millions in a briefcase, the unexpected happens, the briefcase opens, and all Hell breaks loose. A visually stunning shot, that in some ways anticipated Kubrick’s whole career.

5: Gutterballs, The Big Lebowski (1998)

A perfect combination of stylistic music and sexual innuendo combined with the Dude’s love of bowling, this priceless sequence makes the entire movie worth watching and symbolises (like #2) the uniqueness of the Coen brothers. No other director/s could have pulled this off.

6: “Hello, Dimitri?”, Dr. Strangelove (1964)

If there was a top prize for awkward, subtle humour in film, Dr. Strangelove would be a definite contender for top spot, and this scene explains exactly why. It makes me laugh every single time I watch it, and the first time I saw it, I was in tears by the time it ended. Fantastic. If you like to think you have anything resembling a sense of humour, you must see this movie.

7: Alice’s Monologue, Eyes Wide Shut (1999)

This is not actually the whole scene, but it’s enough of it to get the point across. Nicole Kidman is absolutely fucking fantastic in this scene, spitting out each line perfectly in character and in a manner that almost puts the viewer into the same drug-induced trance as her. A fantastic look at the effects of marriage and human relationships, this is definitely the film’s highlight.

8: Mr. Blonde, Reservoir Dogs (1992)

There are a lot of scenes which deserve a spot on here from QT’s breakthrough debut and it was really tough making a decision, but no other scene has the raw impact and masochistic beauty of this brilliantly filmed violence overblow. QT laughs in our faces and left me gaping when Mr. Blonde exited the warehouse and everything changed for those brief few seconds. He’s a genius, and this scene is a testament to his ability.

9: The German Girl, Paths of Glory (1957)

I hope you have a box of Kleenex, because you may be about to cry. The following is technically two scenes, one in which Kirk Douglas tells his boss where to stick his promotion (my favourite line in the film occurs at 0:59, listen for that one), and in the second part, in a scene that really is a testament to the heartlessness and cruelty of war, a German girl is forced to sing by a bunch of rowdy, drunken, ogling American soldiers, but the unexpected happens. Seriously, this scene… I cannot express my love for it enough, and it is one of the main reasons it’s placed so high among my favourite movies of all time. The best scene Kubrick ever directed. Ever.

10: Perfect Day, Trainspotting (1996)

Apparently, embedding is disabled so you can watch it here if it doesn’t work. What follows is an example of Danny Boyle’s great talent. He hear combines a scene where we see the protagonist Renton (Ewan MacGregor) take a “final” hit of heroin, and uses the best possible music to ironically describe the hellish levels to which he has sunk. Spectacularly depressing.

11: The End, Dogville (2003)

I warn you now, do NOT watch this scene if you have not already seen the movie. It contains spoilers that should NEVER be spoiled. It is the almost perfect, sadistic ending to Lars von Trier’s amazing stage-play filmed Dogville. It’s definitely in my Top 5 for jaw-dropping scenes. You will be stunned.

12: The Club Silencio, Mulholland Dr. (2001)

A beautiful, artistic, memorable scene from David Lynch’s amazing movie, this is a really well-done look at the thin line between dreams and reality, and how easily we can be tricked.

13: Don’t Leave, Magnolia (1999)

I know I’ve mentioned and shown this scene all over Southern Vision a few times, but if you haven’t seen it, it really is worth it. In general, I dislike Tom Cruise as an actor. But in this scene… wow, he really packs a punch that’s difficult to shake. Amazing portrayal of grief and loss.

14: Plastic Bag in the Wind, American Beauty (1999)

The scene has such emotion, and beauty, that there’s really nothing much left to say that Wes Bentley doesn’t say himself. Great background score from Thomas Newman, one of my favourite musical score composers of all time.

15: The Pool Scene, Let the Right One In (2008)

Almost poetic in its use of strewn body parts, sudden deaths, and great audio, this scene forces the audience to use their imagination which produces much more horrific results than any scary imagery. A beautiful, terrifying scene.

16: The Boardwalk Scene, A Clockwork Orange (1971)

The perfect combination of sickening violence and amazing classical music, Stanley Kubrick’s controversial masterpiece features countless great scenes of amazing direction, but this one tops them all.

17: Standing In Line for a Movie, Annie Hall (1977)

Woody Allen’s famous comedy works more like a series of hilarious sketches, and it’s difficult to pick just one, but when I watched it the first time, this scene really struck me as very funny, and has been parodied often in pop culture.

18: Lovefool, Hot Fuzz (2007)

This list would go uncomplete without a reference to the funniest of all the hilarious scenes in this Edgar Wright classic. The look on Simon Pegg’s face is hysterical.

19: The Copacabana Shot, Goodfellas (1991)

You’ll have to skip to two minutes before the actual shot starts, but it is a brilliant one. One of the most famous and influential tracking shots in all of cinema, this really pumps up the class in this Scorsese classic and is one of the many reasons it is as brilliant as it is.

20: Dreams, No Country for Old Men (2007)

A fitting way to finish off this list is with the disquieting, eerie, brilliant final scene that tops off an amazingly fantastic movie. Tommy Lee Jones leads the Coen brothers’ western-style classic to an awesome conclusion.

There, that’s my list. There’s plenty more I could add, but this is enough for now. So, what do you think? Anything you’d like to add? Leave a comment below.

5 Memorable Uses of Music in Stanley Kubrick Movies

Stanley Kubrick was a master of many things when making movies — direction, cinematography, set direction — but one of the top choices he consistently made was musical. From Dr. Strangelove right down to Eyes Wide Shut, Kubrick made musical choices that were insanely memorable. Here are perhaps the five most memorable:

1: We’ll Meet Again, Dr. Strangelove (1964)

The image of countless bombs exploding as this calming music plays is a simply magic use of contrast. If the world were to end as abruptly and annoyingly as it does in Strangelove, this music playing would make it a damn sight more comfortable – and funnier!

2: The Blue Danube Waltz, 2001: A Space Odyssey (1967)

The beautiful outer space has never looked so stunning as when Kubrick portrayed it alongside the amazing music of Strauss. Classical music made a memorable debut for SK as he mixed memorable imagery with insanely calming tunes.

3: The Thieving Magpie, A Clockwork Orange (1971)

That fantastic scene as Alex and his droogs walk down the riveria, frozen in thought, as this classical piece plays and violence breaks out will be forever ingrained in my mind. A scene which uses violence in a manner which makes Tarantino look like butter.

4: Sarabande, Barry Lyndon (1975)

Kubrick’s three hour biopic based on the novel is one of his best, most ingenious films, a sadly underrated film that glows with excellence every time you watch it. And this haunting theme… I never get tired of it.

5: Waltz No. 2 from Jazz Suite No. 2, Eyes Wide Shut (1999)

It’s a little bit inventive, a little bit haunting and a little bit cheeky. One of my favourite classical waltzes (beaten only by #2 on this list), and one which always brings to mind the shocking opening shot of Kubrick’s final film.

Any music from Kubrick I missed? What music (from any director or movie) do you think was particularly memorable or well-chosen? Leave a comment below.

Ten Misleading Movie Titles

 

There are some sad people who look at a movie and judge it immediately by the title. It’s a dangerous and ignorant thing to do, but it does happen. Here are ten movie titles which, for some naive and inexperienced moviegoers can be very confusing and ambiguous, indeed.

A Clockwork Orange

There are no clocks, nor are their oranges which play any noticeable part in this film. What gives? Author Anthony Burgess says it is based on an old proverb “as queer as a clockwork orange.” However, the validity of Burgess’s statement is yet to be verified.

Sin City

This is not a film about Las Vegas, but there are sins involved. I suppose, however, it is a better title than the actual name of the city in this film: Basin City.

Naked Lunch

David Cronenberg at his weirdest, this is not the film it may sound like, and it is a generally repulsive and disgustingly ugly film. When asked what its title meant, Cronenberg replied by defining it as “a frozen moment where everybody sees what is on the end of every fork.” Now I’m hungry.

21 Grams

No, this is not a film about drugs, drug trafficking or drug use, despite the presence of Benecio Del Toro.

Funny Games

If you’re looking for a laugh… keep looking. Michael Haneke’s name itself should drive all comedy-lovers in the opposite direction immediately.

Happiness

A hilariously awful irony. The only person who is happy at the end of this film is a pre-teen boy who has learned to masturbate.

Straw Dogs

It sounds like some sort of obscure ambiguous comedy, but in reality it is a violent, explicit look at rough societies, social interaction and human repulsion. It may be only two hours, but with the horrific extended final hour, it feels much longer (in a good way).

Pink Flamingos

Of all the misleading titles, this is the one that it would be the most disastrous to predetermine. Crappy cinematography and a generally distasteful attitude toward the human freakshow and its extremes, it is nevertheless a “classic” of underground cinema.

It Happened One Night

With today’s unflinchingly graphic portrayals of sexuality, it’s easy to see how some people might misinterpret this film’s title.

Un Chien Andalou

And finally, possibly the most misleading of them all, a 16-minute surreal masterpiece which is little more than a series of jumbled, Lynchian images collided together as one whole given the seemingly senseless title which translates in English to ‘An Andalusian Dog.’

That’s my ten, now tell me in the comments some more misleading titles, if you can think of any.

Thanks for reading.

100 Things I Love About the Movies

Recently, John at The Droid You’re Looking For made a sequel to his hugely successful “100 Things I Love About the Movies” post, and being a fan of both posts, I’ve decided it’s about time I did my own. It was a very inspirational and thoughtful post, and if you read it yourself it might just make you want to do one of the same. For now, here’s mine:

1: Hi-hi-hi there, at last we meet.

2: The shaking fence in Evil Dead.

3: A rape depicted through the clever usage of a silent movie in Pedro Almodovar’s Talk to Her.

4: Qantas never crashed.

5: Whatever you want, Leo Getz.

6: The stunning ending to Lars von Trier’s Dogville.

7: Dave. Stop, Dave. I can feel it. My mind is going. There is no question about it.

8: The best movie cut of all history in Lawrence of Arabia.

9: The theme that plays when we see the man with the Harmonica in Once Upon a Time in the West.

10: Everybody’s Talkin’ At Me…

11: The abrupt ending of Bonnie and Clyde.

12: I’m a star. I’m a star, I’m a star, I’m a star. I’m a big bright shining star. That’s right.

13: The final perfect five minutes of Irreversible…

14: …and how The King’s Speech stole the music!

15: Ellen Burstyn’s monologue in Requiem for a Dream.

16: The hand emerging from the water in Deliverance.

17: The final half-hour of Audition.

18: Jimmy Schtewart.

19: The emotion and raw energy with which Kirk Douglas delivers this line in Paths of Glory: “I apologise to you, sir, for not informing you sooner that you’re a degenerate, sadistic old man, and you can go to Hell before I apologise to you now or ever again!”

20: John C. Reilly shining his flashlight into the camera in Magnolia.

21: Blood Simple to True Grit and everything in between.

22: Hello… Hello, Dimitri? I… I can’t hear, could you turn the music down? That’s great, you’re coming through fine. I’m coming through fine, too, am I? I agree with you, it’s great to be fine. Now then, Dimitri. One of our generals… he went a little funny in the head… you know, funny. And he went and did a silly thing.

23: Tracking shots. All of them.

24: The Monty Python movies (“I fart in your general direction!”)

25: Choose life. Choose a job. Choose a career. Choose a family. Choose a fucking big television. Choose washing machines, cars, compact disc players and electrical tin openers. Choose DIY and wondering who the fuck you are on a Sunday morning. Choose sitting on that couch watching mind-numbing, spirit crushing game shows, stuffing junk food into your mouth. Choose rotting away at the end of it all, pishing your last in a miserable home, nothing more than an embarrassment to the selfish, fucked up brats you spawned to replace yourself. Choose your future. Choose life.

26: Jim Carrey in Liar, Liar.

27: Steve Martin in The Jerk.

28: Isabella Rossellini begging Kyle MacLachlan in Blue Velvet (“Hit me!”).

29: In Heaven… everything is fine.

30: Did You Know You Can Use Old Motor Oil to Fertilise Your Lawn?

31: That lucky occasion when you come across a really, really good TV movie (Indictment: The McMartin Trial)

32: Get away from her, you BITCH!

33: I am Death. I have long walked at your side.

34: The most striking and disturbing use of colour in any film, that of Sven Nykvist’s brilliant cinematography in Ingmar Bergman’s fantastic Cries and Whispers.

35: NOT LOVELY, LOVELY LUDWIG VAAAANNNN!!!!

36: The slow-paced and slightly comic final duel in Barry Lyndon.

37: The deadly silent arrival of Martin Sheen into Colonel Kurtz new jungle home, rudely interrupted by an obviously high Dennis Hopper in Apocalypse Now.

38: The first six or so minutes of Persona.

39: This is my rifle, this is my gun. This is for fighting, this is for fun.

40: The haunting piano music that plays throughout the latter half of Kubrick’s fantastic Eyes Wide Shut.

41: A surprise cameo from the greatest stand-up comedian of all time in a non-comedy role in Lost Highway.

42: Tom Cruise’s finest hour:

43: The perfect opening shot of Apocalypse Now.

44: Bernard Herrman’s shrieking violins.

45: Black and White movies in the era of Colour.

46: The nameless dystopian city in David Fincher’s Se7en.

47: Uncomfortably casual nudity in Short Cuts.

48: Marge Gunderson.

49: Nobody fucks with the Jesus.

50: Bring Out the Gimp.

51: Norma Desmond’s delusions of grandeur.

52: The drug deal scene in Boogie Nights.

53: I only got two things in this world: my balls and my word. And I don’t break em for nobody.

54: Robert Downey, Jr. in Natural Born Killers.

55: The “train going into the tunnel” at the very end of North by Northwest, a clever albeit overused sexual metaphor.

56: Ricky Gervais. Always. Always.

57: A movie set entirely within one room (i.e. Buried)

58: Rob Brydon’s cameo in Lock, Stock and Two Smoking Barrels.

59: Nothing’s wrong with it, Tommy. It’s tip top. I’m just not sure about the colour.

60: I am Jack’s _____ ______.

61: Sean Penn in Fast Times at Ridgemont High, oh, and while we’re at it…

62: 80s high school movies. All of them.

63: The epilogue of Pink Flamingos.

64: Clerks. ‘Nuff said.

65: Try getting a reservation at Dorsia now, you fucking stupid bastard!

66: Silencio.

67: Earn this. Earn it.

68: The final shot of the rat at the end of The Departed.

69: Extended Director’s Cuts.

70: I’m mad as Hell, and I’m not going to take this anymore!

71: The inability of Jack Lemmon to be able to watch Grand Hotel in The Apartment.

72: Memorable last lines in Billy Wilder movies.

73: We’re a loving couple that doesn’t touch.

74: Sunday nights, where I put aside a few hours to rewatch one of my favourite movies, no matter what it is or how many times I’ve seen it.

75: The creepy hidden camera shots in Michael Haneke’s Cache.

76: Amelie’s strange games with random people in the film of the same name.

77: Go round mums, deal with Phillip, grab Liz, go to the Winchester, have a nice cold pint and wait for all this to blow over.

78: Shelley Winters in The Poseidon Adventure: “In the water, I’m a very skinny lady.”

79: Sidney Lumet. Rest in Peace.

80: The final shocking moments of Planet of the Apes.

81: The meaning of Roger O. Thornhill’s middle initial.

82: Martin Scorsese’s cameo in Taxi Driver.

83: Gregory Peck’s powerful courtroom monologue in To Kill A Mockingbird…

84: …and the uniquely different but still subtly similar version presented by a suprisingly good Matthew McConaughey in A Time to Kill.

85: Dustin Hoffman’s moving turn as Ratso Rizzo in Midnight Cowboy…

86: …and the eerie subtle similarities between Jon Voight’s character in the same movie and Dirk Diggler in Boogie Nights.

87: Mr. Jingles.

88: I just wanted to hold the little baby.

89: You mean the man who inserted rubber fist in my anus was a homosexual?

90: The stunning revelation at the end of Spoorloos (The Vanishing).

91: How quickly a director can take my interest, and how stunningly tight their grip remains on me within the shortest of times, and how it can last seemingly forever, as evidenced by my recent delve into the films of Ingmar Bergman.

92: Hit Girl.

93: Bill Murray waking up to the same nauseatingly repetitive jingle every morning in Groundhog Day.

94: Reese Witherspoon humiliating a disfigured Kiefer Sutherland in Freeway.

95: The little bit of low-budget masterpiece that was Sex, Lies and Videotape.

96: Dogme 95.

97: The Criterion Collection.

98: The little things in movies that so few directors really think to care about.

99: How movies affect my everyday life, the way I do things, the little idiosyncrasies that people rarely notice, and how I think and perceive things.

100: “I’m finished.”

Movie Title Mash-Ups

I’ve been thinking about what to post next, how to keep the ideas entertaining, and I’ve got a few notes down for future posts, but for today, I’m going to stick to a subject many have attempted to tackle and often, succeeded in getting laughs. That’s right, the movie title mash-up. You know, where you combine the titles of two movies to make one super-movie and keep the laughs rolling in. If you know your cinema, its not a hard thing to do. Here’s my attempt at some movie title mash ups:

Lost Highway in Space

Star Wars of the Roses

Dead Silence of the Lambs

2001: Homer’s Odyssey

The Princess Bride Wars

Boogie Nights in Cabiria

A Clockwork Orange County

After the Sunset Blvd.

The Lost Weekend at Bernie’s

Shaun of the Dead Snow

The Man with the Naked Gun

An Andalusian Dogtooth

I Am Legend of the Falls

Inland Empire of the Sun

The Elephant Man with the Iron Mask

The Basketball Diaries of a Wimpy Kid

Mao’s Last Dancer in the Dark

Intolerance: Love’s Struggle Throughout the Age of Innocence

Hannibal Holocaust

Apocalypto Now

Last Tango in Paris, Texas

The Wild One Flew Over the Cuckoo’s Nest

Groundhog Day the Earth Stood Still

Let me know what you think of these in the comments, and as usual…

Thanks for reading.