5 Memorable Uses of Music in Stanley Kubrick Movies

Stanley Kubrick was a master of many things when making movies — direction, cinematography, set direction — but one of the top choices he consistently made was musical. From Dr. Strangelove right down to Eyes Wide Shut, Kubrick made musical choices that were insanely memorable. Here are perhaps the five most memorable:

1: We’ll Meet Again, Dr. Strangelove (1964)

The image of countless bombs exploding as this calming music plays is a simply magic use of contrast. If the world were to end as abruptly and annoyingly as it does in Strangelove, this music playing would make it a damn sight more comfortable – and funnier!

2: The Blue Danube Waltz, 2001: A Space Odyssey (1967)

The beautiful outer space has never looked so stunning as when Kubrick portrayed it alongside the amazing music of Strauss. Classical music made a memorable debut for SK as he mixed memorable imagery with insanely calming tunes.

3: The Thieving Magpie, A Clockwork Orange (1971)

That fantastic scene as Alex and his droogs walk down the riveria, frozen in thought, as this classical piece plays and violence breaks out will be forever ingrained in my mind. A scene which uses violence in a manner which makes Tarantino look like butter.

4: Sarabande, Barry Lyndon (1975)

Kubrick’s three hour biopic based on the novel is one of his best, most ingenious films, a sadly underrated film that glows with excellence every time you watch it. And this haunting theme… I never get tired of it.

5: Waltz No. 2 from Jazz Suite No. 2, Eyes Wide Shut (1999)

It’s a little bit inventive, a little bit haunting and a little bit cheeky. One of my favourite classical waltzes (beaten only by #2 on this list), and one which always brings to mind the shocking opening shot of Kubrick’s final film.

Any music from Kubrick I missed? What music (from any director or movie) do you think was particularly memorable or well-chosen? Leave a comment below.

Advertisements

About Tyler

Patient observer of all things film and music, from Béla Tarr to Boards of Canada. Foul mouthed and clinging to the edge of sanity.

Posted on June 25, 2011, in Filmmakers, Lists, Music and tagged , , , , , , , , , , , , . Bookmark the permalink. 3 Comments.

  1. Love this post! One of the reasons indeed why I love Kubrick so much is his use of music. Clockwork is a great example in many scenes.

  2. #1 most memorable — ‘Also sprach Zarathustra’ from “2001.”

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: